Artefact #0 — Digital Necrophony

Audiovisual installation on the digital afterlife
Date
14 Jan 2017
MADE FOR
Mathilde Lavenne & Le Fresnoy, Studio National des Arts Contemporains
In Collaboration With
Mathilde Lavenne
Daniel Cabanzo
Role
Product design, design & development of audio reactive visual application
DURATION
MAR 2016 — JUN 2016
Location
Tourcoing, France

Inspired by Edison’s necro­phone, this instal­la­tion project aims at stag­ing a very intru­sive rela­tion­ship to death in a hyper-medi­at­ed soci­ety. In what could be seen as some­what of a dig­i­tal grave, the body is no longer phys­i­cal­ly stored, but rather encod­ed — along with an exhaus­tive library of per­son­al details — into a sin­gle cylin­der of marble.

In a first phase, the mem­o­ry stor­age cylin­der is set to rotate while being read by a mov­ing arm car­ry­ing a light sen­sor. Once enough data has been col­lect­ed, a sec­ond phase starts where a sam­ple of per­son­al infor­ma­tion — may it be bio­met­ric, or a mem­o­ry — is recom­piled into an audio-visu­al stream. The instal­la­tion then turns back again into “read-mode”, and loops through the data.

Production

Le Fres­noy, Stu­dio Nation­al des Arts Contemporains

In Collaboration with

l’IRCAM, Insti­tut de Recherche et Coor­di­na­tion Acoustique/​Musique du Cen­tre Georges Pompidou

Fab­ri­car­i­um de l’institut Poly­tech, lille

EDM, Européenne du mar­bre à Paris

Project Manager

Elodie Wat­ti­aux

Lead Artist
Sound Design
Product Design, Visual Design & Development 

N O R M A L S

Light & Arduino
Programming

Eti­enne Landon

Hardware Production

Christophe Gre­go­rio

Assistant

Guil­laume Gravina

ESA-Art /​ images

Robin Labri­aud

Lina Qi

Photography

Frank Klein­bach